The Virtual Salon 2: Chamber Music of Haydn and Schubert

Fortepiano, voice, and strings in virtual acoustics. Featuring performances by Tom, Beghin, Sanford Sylvan and guests, this concert is part of the Schulich Year of Early Music.

**RESERVATIONS ARE NO LONGER AVAILABLE.  PLEASE FEEL FREE TO COME TO THE 1st FLOOR OF THE NEW MUSIC BUILDING AT 7:15PM ON THE EVENING OF THE CONCERT TO SEE IF TICKETS ARE AVAILABLE.

pour les informations concernant le concert du 3 février / For information about the concert on February 3: THE VIRTUAL SALON 1

Ce concert est libre et ouvert de public, avec l'allocation des places réservée. / This concert is free and open to the public, with reserved seating.  

*Please be aware that this concert will be video-taped by McGill researchers. The video footage may include views of the audience.

PROGRAMME / PROGRAM

Joseph Haydn (1732-1809)
  • Trio in C Minor / Trio en Do Mineur, Hob. XV:13 (1789)
    • Andante
    • Allegro spiritoso
 
Franz Schubert (1797-1828)
  • 'Fischerweise', D. 881 (1826)
  • 'Des Fischers Liebesglück', D. 933 (1827)
  • 'Die Forelle', D. 550 (1817)
  • 'Der Zwerg', D. 771 (1822 or 1823)
  • 'Der Jüngling an der Quelle', D. 300 (c. 1817)
 
INTERVAL / ENTR'ACT
 
Joseph Haydn
  • Quartet in G Major / Quatuor en Sol Mejeur, Hob.III:41 ("Opus 33 Nr.5") (1781)
    • Vivace assai
    • Largo e cantabile
    • Scherzo: Allegro
    • Finale: Allegretto
 
Franz Schubert
  • Quintet ("Trout") in A Major / Quintette ("La Truite") en La Majeur, D.667 (1819)
    • Allegro vivace
    • Andante
    • Scherzo: Presto
    • Thema: Andantino, Var. I-V, Allegretto
    • Allegro giusto

     

    PERFORMERS / INTERPÈTES

    Elizabeth Blumenstock, violin & viola / violon & alto

    Olivier Brault, violin & viola / violon & alto

    Marjolaine Lambert, violin / violon

    Elisabeth Le Guin, cello / violoncelle

    Nicolas Lessard, double bass / contrebasse 

    Sanford Sylvan, baritone / baryton

    Tom Beghin, fortepiano / pianoforte 

     

    The two fortepianos used tonight are replicas by Chris Maene (Ruiselede, Belgium) of Anton Walter (Vienna, 1782) and Nannette Streicher (Vienna, 1808).

    Les deux fortepianos utilisés ce soir sont des répliques par Chris Maene (Ruiselede, Belgique) d'Anton Walter (Vienna, 1782) et Nannette Streicher (Vienne, 1808).