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Howie Klein
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Durand Begault : Measurement and Auralization of 'Moving' Late Reverberation
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Durand Begault works at the NASA Ames Research Center, USA.
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Derk Reefman: Theory of DSD & SACD and Recording with DSD
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Kimio Hamasaki: Surround Sound Recording - Some Practical Techniques and Considerations
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Kimio Hamasaki is a researcher at the NHK Science and Technical Research Laboratories, Japan.
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Henkjan Honing: Rhythm and the Perception on Musical Time
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Henkjan Honing is Co-Director of the Music, Mind and Machine group, University of Nijmegen, The Netherlands
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Fernando Iazzetta: Musica Practica: the role of technology in music experience
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FERNANDO IAZZETTA teaches Electroacoustic Music at the Music Department of the University of São Paulo where he coordinates the Laboratório de Acústica Musical ...
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Richard King: Stereo and Surround Microphone Techniques for Acoustic Music Recording
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Richard King is Senior Recording Engineer, Sony Music, USA.
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Simon Grondin: Five Short Stories About Time and Rhythm Perception
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Simon Grondin is Professor at the Université Laval, Québec.
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Howie Klein: The Impact of Corporatization of the Music Business
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Takashi Matsushige: Sony research and development of reverberation systems
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Stephen Peus: Benefits of a Digitally Interfaced Studio Microphone
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Stephen Peus, Georg Neuamann GmbH, Berlin.
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Mira T. Sundara Rajan: Technology Meets Art: "Moral Rights" and New Artistic Creation
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Mira T. Sundara Rajan is Herschel Smith Fellow in Intellectual Property Law at the University of London, and Lecturer in Copyright Law.
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Jens Blauert:
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Jens Blauert is President of the German Acoustical Society, DEGA.
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Danièle Dubois: Cognitive Auditory Categories Between Odors and Colors: A Psycholinguistic Approach
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Danièle Dubois is a researcher at the Centre National de la Recherche Scientifique (CNRS), University of Paris VI.
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Jean-Claude Risset: Simulacra and Illusions: Understanding Perception is Important for Computer Music
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Jean-Claude Risset is a composer and researcher at the Centre National de la Recherche Scientifique (CNRS), France.
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Malcolm Slaney: (not so) Stupid Perception Tricks (with audio signal processing)
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Malcolm Slaney is a researcher at IBM Almaden Research Center and Stanford CCRMA.
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Christine Beckett: What Goes on in their Heads?
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Christine Beckett is an assistant professor at Concordia University, Montreal, Canada.
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Alain de Cheveigné: Pitch Perception Models: a Historical Perspective and Some New Ideas
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Alain de Cheveigné is a senior research scientist at the Centre National de la Recherche Scientifique (CNRS), France.
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Perry Cook: Speaking Machines
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Perry Cook is a professor at Princeton University, USA.
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Douglas Eck: Entropy and Autocorrelation: Using Simple Statistics to Find Tempo and Metrical Structure in Unfiltered Digital Audio
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Doug Eck is an assistant professor in the Department of Computer Science, University of Montreal. His work concerns the processing and learning of temporal ...
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Roger Reynolds: Origins: Impetus, Themes...Images
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Roger Reynolds is a composer and professor at the University of California, San Diego, USA. This lecture is sponsored by CIRMMT and McGill's Music Faculty ...
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Godfried Toussaint: Computational Methods for the Analysis and Generation of Musical Rhythm Timelines
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Godfried Toussaint is a professor in the School of Computer Science, McGill University, Montreal.
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Bill Verplank: Haptics and Scanned Sythesis
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Bill Verplank is an interaction designer, human-factors engineer and visiting scholar at Stanford University, USA.
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Brecht De Man: We are the robots: Developing the automatic sound engineer
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Miwa Fukino: Towards modelling the individual differences and changes in music preferences
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Japanese researcher Miwa Fukino (University of Tokyo / Panasonic Corporation) will give a presentation in the Music Technology Conference room this Wednesday 8 ...
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Richard Parncutt: The demise of number ratios in music theory: Pythagoras faces the final curtain
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Philippe Esling: When art studies science through listening: From musical orchestration generation to biometric heartbeat identification
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This seminar is sponsored by Research Axis 5 (Music perception and cognition).
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José J. Lopez: The state of the art and recent developments in spatial sound
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Prof. José J. Lopez present a talk on spatial audio developments.
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David Dolan: Classical improvisation - context and impact on creativity in performance, communication, and expression. Are we waking up from the coma?
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A Research Axis 3 (Cognition, perception, and movement) sponsored seminar. Free admission. No registration required.
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Alexander Sigman: alarm/will/sound: A multidisciplinary research/installation project
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