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The Science and Technology of Music

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2009-2010

September 2009 - August 2010

Event Jason Hockman: "Adaptive temporal transformations of audio" (New Music Building, McGill University, 527 Sherbrooke St. West, A512 (in the library - entrance on 3rd floor), from Oct 20, 2009 12:30 PM to Oct 20, 2009 01:30 PM)
Jason Hockman is a Doctoral student in the Music Technology Area of the Schulich School of Music, McGill University.
Event Johanna Devaney: Automatic Extraction of Performance Data from Recordings (New Music Building, McGill University, 527 Sherbrooke St. West, A512 (in the library - entrance on 3rd floor, from Nov 03, 2009 12:30 PM to Nov 03, 2009 01:30 PM)
Johanna Devaney is a Montreal-based composer/theorist. Her compositional interests are both electronic and acoustic, while her theoretical work is focused modeling performance practice. She is currently working on a PhD in the Department of Music Research at the Schulich School of Music, McGill University where she is currently studying with Ichiro Fujinaga.
Event Mark Zadel: Introduction and tutorial on LaTeX. (New Music Building, McGill University, 527 Sherbrooke St. West, A512 (in the library - entrance on 3rd floor, from Nov 10, 2009 12:30 PM to Nov 10, 2009 01:30 PM)
Mark Zadel is a PhD student in the Input Devices and Music Interaction Laboratory (IDMIL) and the Computational Acoustic Modeling Laboratory (CAML) at McGill University..
Event Aanchan Mohan: Tutorial on Matrix Factorization Algorithms for Source Separation (New Music Building, McGill University, 527 Sherbrooke St. West, A512 (in the library - entrance on 3rd floor, from Nov 17, 2009 12:30 PM to Nov 17, 2009 01:30 PM)
Aanchan Mohan is a PhD student in the Sound Processing and Control Laboratory at McGill University.
Event Joseph Thibodeau: Trumpet Augmentation Technology (from Nov 24, 2009 12:30 PM to Nov 24, 2009 01:30 PM)
Joseph Thibodeau is a Masters student in the Interactive Devices and Music Interaction Laboratory at McGill University.
Event Fernando Falci de Souza: "Evolutive Processes for Granular Synthesis in Extended Gabor Spaces" (New Music Building, McGill University, 527 Sherbrooke St. West, A512 (in the library - entrance on 3rd floor, from Dec 01, 2009 12:30 PM to Dec 01, 2009 01:30 PM)
Fernando Falci de Souza has Bachelor degrees in Computer Science (1997-2001) at the University of Sao Paulo, and Music: Popular Acoustic Bass (2003-2007) at Santa Marcelina Faculty. He is a Master degree candidate since 2008 and his research is concentrated on applications of Interative Genetic Algorithms to Granular Sound Synthesis.
Event Third session of the Music Perception and Cognition Student Colloquium series (BRAMS, 1430, boul. du Mont-Royal (Outremont), room 0-368 (also known as "The Classroom"), 4:30-6:00pm, from Feb 11, 2010 04:30 PM to Feb 11, 2010 06:00 PM)
Patrick Bermudez will present some of his work on absolute pitch and Mikaela Miller will talk about perceptual issues concerning 12- and 31-tone equal temperament tuning systems. Each talk will last about 30 minutes and will be followed by a 15-minute question period.
Event Dr. Eliot Handelman: Recursively structured pattern, shape and motion asymmetries generate complex musical features (Room A512, New Music Building, Schulich School of Music, from Mar 09, 2010 12:30 PM to Mar 09, 2010 01:30 PM)
 
Event Antoine Lefebvre: Methods for the Design of Woodwind Instruments (A512 (New Music Building), from Jun 14, 2010 01:00 PM to Jun 14, 2010 02:00 PM)
Antoine Lefebvre is a PhD Candidate in the Computational Acoustic Modeling Laboratory (CAML) and the Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) at the Schulich School of Music of McGill University. His research focuses on the development of computer-aided methods for the design of woodwind instruments. He studied mechanical/aerospace engineering at the Montreal Polytechnic School and graduated with distinction after which he completed a masters degree in applied science in computer engineering, developing a system for the measurement of the acoustic impedance of wind instruments.
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