An architect trained in France, she has been working for several years on the relationship between music and space. Her harp studies with Hélène Breschand sparked a deep interest in contemporary and experimental musical approaches. After completing a master’s thesis and earning a degree in architecture focused on the spatial works of Maryanne Amacher, she continued her research at the Laboratoire d’Étude de l’Architecture Potentielle (LEAP) at the University of Montreal, under the supervision of Jean-Pierre Chupin and Caroline Traube. Her dissertation focuses on defining the perceptual, social, and architectural dimensions of the sound space (identified as a “phonotope”) in order to extract its qualitative properties. The goal is to incorporate the lived sound experience as an element in the design of built environments.
