CIRMMT Student Symposium 2016 - List of Presenters

The CIRMMT Student Symposium takes place annually, on the day of our General Assembly. Students present their recent work in the form of oral presentations, poster presentations, demos or performances. Proposals are chosen by the Student Executive Committee in order to present a broad picture of CIRMMT research, from musical compositions to computational algorithms./Le symposium Etudiant du CIRMMT a lieu chaque année, le jour de l’Assemblée Générale. Les étudiants y présentent leurs travaux récents sous forme de présentations orales, posters, démonstrations et concerts. Les travaux présentés sont choisis par le Comité Exécutif Etudiant et visent à représenter la vaste étendue des recherches menées au CIRMMT, des compositions musicales aux algorithmes informatiques.

CIRMMT Student Symposium 2016 / Symposium Etudiant du CIRMMT 2016

To view the abstracts / Lien vera les résumés: Student Symposium Abstracts 

General Assembly and Student Symposium 2016 overview

 

9:00-10:30am Oral Presentations 1, 2, 3 & 4 / 09:00-10:30 PRÉSENTATIONS ORALES 1, 2, 3 & 4  (15+5mins)

  • 09.00am  Pierre Lecomte:  Directional filtering in a 3D Higher Order Ambisonics              
  • 09.20am  Matthew Boerum:    Lateral listener movement on the horizontal plane: sensing motion through binaural simulation.             
  • 09.40am  Bryan Martin & Will Howie:    Immersive Audio Capture for 22.2 Multi-Channel Sound
  • 10.00am  Olivier Valentin:    Use of auditory steady-state responses in measuring the attenuation of hearing protection devices.
 

10.30 - 10.45am coffee break / 10.30 - 10.45 pause café

 

10.45am - 12.30pm  "SPEED TALKS"   / 10:45-12:30 brèves PRÉSENTATIONS   (7+5mins)

  • 10.45am  Karen Yu, Zihua Tan:  Percussionist vs Machine: Playing in an Environment with Real‐time Variable Acoustical Properties
  • 11.00am  Juan Sebastian Delgado, Alex Nieva:   Multimodal Visual Augmentation for Cello Performance              
  • 11.15am  Arun Duraisamy:  Design and Optimization of Natural Fiber Composites as a Replacement for Endangered Wood Species used in Musical Instruments
  • 11.30am  Jason Noble & Savvas (Eddy) Kazazis:  Composing with Gestures on a Perceptual Chordal Space
  • 11.45am  Cynthia Tarlao:  Mind the Moving Music: auditory motion in experimental music
  • 12.00pm  John Sullivan, Alexandra Tibbitts, Olafur Bogason:  Harp gesture acquisition for the control of audiovisual synthesis                
  • 12.15pm  Connor Kemp:  Vibration Behaviour of Woodwind Reed Cane - Player Testing of In-use Reeds and Materials Characterization

12.30 - 01.30pm lunch & poster session / 12.30 - 13.30 déjeuner & posters

  • Ben Duinker  & Hubert Léveillé Gauvin:    Trends in music theory scholarship: a journal corpus study
  • Jacob Wiens & Christina Volpini:    Instruments Inside Instruments: Composing for Resonant Space
  • Moe Touizrar, Sarah Gates, Kit Soden, Bennett K. Smith:    Emotion categories and intensity in Strauss' Elektra and the film noir Dead on Arrival  
  • Brice Gatinet & Catherine Massie-Laberge:    Gesture analysis of bowing movements: Psycho-motor evidence of event cueing and conceptual categories in contemporary music


01:30-02:00PM POSTERS & DEMO/ 13:30-14:00 POSTERS & DEMO [mmr & studio 22]

[STUDIO22]    Bryan Martin & William Howie:  3D virtual audio
        [MMR]    Matthew Boerum:  3D virtual model of CIRMMT A816 on a VR headset
  

 

02:00-03:15Pm Oral Presentations 5, 6 & 7 / 14:00-15:15 PRÉSENTATIONS ORALES 5, 6 & 7  (15+5mins)

  • 02.00pm   Ben Duinker & Denis Martin:   Toward a sound based definition of the Golden Age hiphop aesthetic
  • 02.20pm   Landon Morrison, Victoria Simon, Ian Hattwick:  The Case of Max for Live: On the Historical Convergence of Two Music Software Paradigms
  • 02.40pm   Daniel Steele:    Evaluation of an urban soundscape intervention with music: quantitative results from questionnaires.

 

03.15 - 03.30Pm coffee break / 15.15 - 15.30 pause café

 

03.30 - 04.30pm KEYNOTE LECTURE / 15.30 - 16.30 PRéSENTATION INVITé

  • George E. Lewis, Columbia University, "Living with Creative Machines"