Electroacoustic music spatialization workshop

Electroacoustic music spatialization workshop

This workshop is organized in collaboration with the 2026 Student Symposium

This workshop is organized in collaboration with the Student Symposium concert taking place on May 21, 2026 at 7:00pm in the Multimedia Room MMR. 

Description

The CIRMMT Student Committee invites you to a Electroacoustic music spatialization workshop in the MMR, where Monique Jean and Gilles Gobeil will present their works and strategies used to diffuse them in concert. Open to all!

Registration

This event is free and open to the public with registration. Please register using this MS form: https://forms.cloud.microsoft/r/ikRWCGR8Cp

Biographies

Gilles Gobeil

Gilles Gobeil in a black and white headshot photo wearing a wool sweater over a dark long collared shirt, against a black background. Following a bachelor’s degree in compositional techniques, Gilles Gobeil undertook a master’s in composition at Université de Montréal under Serge Garant. In the final years of his studies, he was introduced to electroacoustic practices by Marcelle Deschênes and Francis Dhomont. This discovery stimulated in him a desire to commit entirely to the exploration of unfamiliar forms and original timbres, exploring and making the most of the full range of tools offered by the studio. Since the completion of his studies, he has focused his creative interests almost exclusively on the composition of acousmatic and mixed works. His practice falls within what is known as “cinéma pour l’oreille” (cinema for the ear). Many of his compositions are inspired by literary or cinematic works and seek to “visualize” them through the medium of sound. Although his catalogue is comprised mainly of acousmatic and mixed works, he has also made forays into the fields of dance and film. Traces of his experiences with instrumental music are often found in his works.

Monique Jean

Monique Jean wearing a long-sleeved t-shirt with sleeves rolled up, looking down and to her left over an electric keyboard against a dark background. Monique Jean is convinced that the corporeality of sound simultaneously opens doors to sensation and meaning. She is constantly looking to explore the imperfections, tensions and clashes of meaningful and vivid sound materials in order to develop a stream of sound that behaves like a complex organism, unstable and constantly transmuting reality into poetry.