Description

Computational models of music can formalize assumptions about what music is, how it is structured, and what counts as musical knowledge when translated into computational form. This workshop invites contributions that examine how musical knowledge is represented, transformed, and interpreted across symbolic, audio, cultural, and performance contexts, foregrounding modeling as a potentially interpretive act rather than a neutral technical process.

This workshop follows Anja Volk's CIRMMT Distinguished Lecture, and we are delighted that she will join us as a discussant, bringing her perspective on computational modeling of musical structures to bear on the contributions presented.

Registration

Please note: spaces are limited!

To register as an attendee or as a presenter, please complete this MSForm: When music becomes data: Modeling structure, culture, and performance – Fill out form

Call for contributions

Building on a program of ongoing research from the CIRMMT community, we invite additional contributions as research presentations (15 minutes + 5 minutes Q&A): empirical, technical, or theoretical work on modeling, encoding, transcription, or representation of musical knowledge across symbolic, audio, cultural, or performance domains.

Schedule 

To be announced